![]() ![]() It is the subdominant tone and the only tonal scale degree in the chord (unless you are in minor mode). There was the question about doubling: The third of N 6 is doubled. Also, predominant and subdominant are not exactly the same thing.Īnother way to look at this chord is that it is a substitution for the ii o6 in the progression i- ii o6-V-i and so it creates a more colorful progression as i-N 6-V-i. Since the N 6 normally is found in minor mode, the subdominant F-A b-C is definitely minor, but by altering the C to become D b there is really no good way to analyse the chord by traditional means using this approach. Yes, You COULD look at the chord as an altered minor-mode subdominant, but that would require altering the chord to the point where it doesn't really describe the chord origin or root. The author is attempting to simplify the terminology by only offering one possible definition. It is also a bit confusing and incomplete in its treatment of this chord. The article pretty much rushes past the N 6 without giving it much thought.
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